Download Ik.Multimedia.Sampletank.2.5.2.XXL.Full.Library.PC.Mac [SNUSO] torrent from software category on Isohunt. Torrent hash: 108853ba11d9e2d8f7e137d813c295. Experience the full creative power and processing flexibility of IK's ultimate sound and groove workstation with SampleTank 3 Free. SampleTank Free 2.5: Freeware.

1. Sampletank 3

Sampletank can recognise root note information stored as part of the WAV or AIFF 'data chunk', or it can create key and velocity splits based on information supplied in file names. In this case, it's up to you to work out in advance how you want your samples spread across the keyboard and the velocity range, and to name them accordingly by including codes such as 'c3' for root note and 'v65' for maximum velocity. You also have to use the file name to pass on loop tempo information to Sampletank. Then, if you have the relevant options selected when you import the samples, Sampletank should map them across the keyboard in a suitable fashion. This, to be blunt, is a bit of a stone-age method of creating multisample programs, and hardly lends itself to fine-tuning. Probably the best thing you can say about it is that it works.

If you want to use it on your own recorded sounds, you'll need to save them from your sequencer as WAV files and import them into Sampletank, which is tedious — this sort of resynthesis would be more useful in a stand-alone plug-in or a separate application like Melodyne — and while it can make solo instrument samples playable over a wider range, it doesn't compensate for the deficiencies of the orchestral library. The built-in filter looks simple, but offers low-, high, and band-pass types, plus a choice of 6, 12, or 24dB-per-octave roll-off slopes.In short, the new functions do make Sampletank 2 a better and more versatile means of playing back samples than version 1, but they wouldn't make a serious samplist choose it over EXS24 or Gigastudio. At root, it's still the samples themselves that will determine whether Sampletank 2 flies off the shelves or gathers dust on them. There's nowhere else you can get the factory sounds, they're still presented in a very convenient format, new instruments and programs have been added in version 2, and in its strong areas — drums, basses, organs, percussion and so on — it still offers some of the best sounds around. Yet there is now more competition out there than was the case two years ago; and while Sampletank XL 2's 4.5GB library is almost double the size of the original, the library as a whole is not twice as good. The orchestral sounds show signs of improvement, for instance, but I still wouldn't use the solo strings in any kind of exposed role, Stretched or not.

Once installed, you need to authorise the plug-in in the usual challenge-and-response style; until you do so, Sampletank 2 will run in demo mode, with polyphony limited to four notes. The built-in parametric EQ. The Preamp, Tone, and Cabinet options form the basis of IK's guitar amp-modelling software Amplitube, and are welcome in Sampletank 2.

Sampletank 3

However, the addition they've made the most fuss about is their new 'Stretch' engine. Similar in some ways to Roland's Variphrase technology, this includes both real-time formant-corrected pitch- and tempo-shifting, but adds control over the harmonic content of the sound, permitting individual samples to be played back over a wide range without the 'chipmunking' and other artifacts that conventional pitch-shifting produce. There's much more user control available in version 2, as well, with the likes of pitch, amplitude and filter envelopes accessible for easy tweaking, and every Sampletank 2 parameter can be controlled via MIDI. Loops can be tempo-sync'ed with the Sync button (right). The Tempo and Overlap buttons then appear (left). IK Multimedia have added new samples and patches to Sampletank's own library, but perhaps more importantly, they've taken steps to make it more useable as a general-purpose sample-playback synth.

Existing Sampletank users will notice that the plug-in window is quite different in version 2. The red, black and grey colour scheme is still present and correct (though the red can now be changed for a variety of other lurid colours), but the window itself is larger, and packs in a lot more information. One welcome development is that the main screen now shows what patches are loaded in all of the 16 'slots' that are available, and allows you to adjust basic parameters such as polyphony, volume and output routing for any of them without having to select that slot for editing. You can also choose how many output channels each instance of Sampletank should have, and save and load complete Sampletank setups as presets.

On the Mac, you'll need Mac OS 8.6 or above, while Sampletank 2 will run under any flavour of Windows from 98SE to XP (or 95 to XP, if you believe the manual rather than the spec on the outside of the box). A G4 or Pentium 4 processor with 512MB of RAM is recommended, and 4.5GB of disk space is required. Sampletank L and XL come on CD-ROM, with the sample library supplied separately on four or eight CDs respectively. Each of the eight CDs in the XL version I tested requires you to choose what elements you want to install and accept a licence agreement, so you need to be present and awake throughout the installation procedure, which took around 45 minutes on my machine. Given that the program requires a reasonably up-to-date computer to run, it might have been better to supply the sample library on DVD-ROM. Having installed the version on the CD, I found that this didn't seem to work with Mac OS 10.3 (Panther), but downloading an update from IK's web site soon got things going, and a further update was made available as I was finishing the review.

Those who already use Sampletank 1 will have to decide whether to upgrade, bearing in mind that moving to version 2 is the only way to get Sampletank working under Mac OS X; and since all upgrades cost the same and give you the full XL version, users of the old L and DJ versions actually get a better deal than existing XL users. To my mind, the additions to the sample library alone aren't enough to justify the extra £200 to move from XL1 to XL2, so it really depends how much you value the new features.

Hey guys download it it works fine in my windows 8.1 32 bit installation process: after downloading sample tank 2.5.2 install the first DVD and create a new folder on desktop set installation location on that new folder for first DVD then install the second DVD and again create a new folder on desktop set installation location on that new folder for second DVD now,finally install sample tank 2.5.2 but install it run as adminstrator after installion. Open application sample tank as run as adminstrator.then use ur keygen to authorize and enjoyy!!!!!!!!!!

IK clearly recognised that the Sampletank Converter utility supplied with version 1 had its shortcomings, and a new set of import features has been included in version 2. This time they're built into the plug-in, and allow you to import a range of sample formats including Akai S1000/S3000, WAV, AIFF and Sound Designer II, at sample rates up to 96kHz and bit depths up to 24. The Mac version is also being endorsed by Digidesign as an upgrade path for users of the now-defunct Samplecell and Soft Samplecell systems, and can import this format too. Importing an Akai-format library. Importing from an Akai disc is now impressively easy. You click the Import button and are prompted to insert your CD-ROM.

Programs are loaded using the sample browser, which has been updated to allow you to see multiple levels at once, and now resembles the 'List' view in the Mac OS 9 Finder. As before, Sampletank 2 patches can include keywords, and there's a Search function which works on these — or doesn't work, at present, since searching on a valid keyword always caused both Sampletank and Cubase SX2 to quit unexpectedly in my system (IK are aware of this problem — it is apparently a Sampletank-specific bug, so it will affect you if you run the instrument under other sequencers too — and claim to be working on a fix for it, though none was available before this review went to press). An eight-octave mini-keyboard has been added at the bottom of the Sampletank window, and is used to audition and edit patches. Where Sampletank 1 provided control over a maximum of four parameters per patch, its successor offers much more flexibility, with seven pages of controls available for editing at the bottom left of the screen. Navigating around Sampletank's built-in sound library is still very straightforward. It's divided into the same categories as it always was, and all the version 1 sounds are present and correct, but each folder also boasts a healthy complement of new patches.

In general, Hypersonic reminded me slightly of recent Roland S&S synths like the XV series: most of the instruments have an immediate appeal, with a very big, in-your-face sound, but they also tend to have a slightly compressed, 'cartoon-like' quality, and often rely on tons of reverb, delay or EQ to make them sound more impressive. Sampletank, by contrast, lacks some of the same directness, but often seems to offer a more natural sound, with less obvious looping in the samples. With the original version of Sampletank, importing additional sample libraries was a theoretical possibility — provided they were in Akai format — but rarely worked well enough to be worth the effort, so if you did want to augment the factory sounds, you had to splash out on a 'proper' software sampler like Halion or EXS24.

These probably do justify the move for anyone who relies solely on Sampletank, but those who already use it in conjunction with another software sampler might be tempted to stick with version 1. As sequels go, Sampletank 2 is The Matrix Reloaded of virtual instruments: a sprawling epic that's big on ambition and ideas, but not always successful at realising them. If what you're after is a suite of ultra-realistic orchestral sounds, a selection of radical sample-mangling tools, the ability to freely mix, match and manipulate sampled loops, or a flexible and powerful utility for creating your own sample banks in software, there are other products for each of these applications that will suit you better. If, on the other hand, the main item on your shopping list is a high-quality collection of essential rock and pop sounds which can easily be accessed from your sequencer, Sampletank remains a strong contender.

Please Note: Before downloading you can preview any song by mouse over the Play button and click Play or Click to Download button to download hd quality mp3 files. Jo bheji thi dua dj mix mp3 download. For your search query Jo Bheji Thi Dua Remix MP3 we have found 1000000 songs matching your query but showing only top 10 results. Now we recommend you to Download first result Dua Shanghai DJ Lemon Remix MP3 which is uploaded by Diary Of An Innocent of size 8.31 MB, duration 6 minutes and 19 seconds and bitrate is 192 Kbps.